Small-Batch Writing

May 5th, 2013

I’ve entered a phase of novel-writing which partly resembles novel-writing and partly resembles something else—something furtive, like low-level espionage, or a secret drug addiction.

For the past two months or so I was writing full time, flat-out, or as flat-out as you can get in this age of modern distractions like Twitter and Kingdom Rush and babies-who-for-some-reason-don’t-feed-themselves. Now I’m back at work.

But when you’ve got enough momentum going with a novel, and you’ve got a bunch of deadlines for that novel that you’ve agreed to, in writing, you can’t just stop. So you don’t stop.

Instead you go dark.

For example: in the mornings I work from home for an hour or two before I go into the office. Not because there’s any particular reason for me to do that, except that by the time I hit the subway rush hour is over, which means I can probably get a seat, and if I get a seat I can crack open my MacBook Air and steal 20-25 minutes of writing time.

I’m always on the lookout for little gaps like that in my schedule: anytime I can get a block of 10 minutes or more, I take it. I write in waiting rooms. I write in cars while other people are driving (this is very boring for them, but I do it anyway). I write while pasta is boiling.

Sometimes when I’m taking care of my kids they fall asleep, or lose consciousness for other reasons. The second they do I’m at my keyboard. Ninja writer strikes! Then I go back to changing diapers.

It’s not ideal. It’s tough to keep your concentration, with your time chopped up like that. But on the plus side you tend to come at your writing from new angles, freshly, the way you would somebody else’s book. And there’s plenty of time for your subconscious to process things and toss out ideas while you’re distracted by other things. I get my best ideas 10 minutes after I’ve stopped writing and gone on to something else.

And since you’re writing in the spaces in between work, your brain automatically categorizes writing time as play. Which is as it should be.

But it means leading a bit of a double life. I don’t always feel great about it. I don’t know who said, ‘books are written with time stolen from other people’ (Paolo Bacigalupi? Anyway I heard it from him), but it’s true. I’m engaging in petty time-thievery, all day, every day.

If nothing else, it motivates you. What you’re writing had damn well better be worth it.

p.s. People sometimes ask me, don’t you make enough money off your books at this point that you can quit your day job? Answer: Yes, theoretically. But [personal stuff].

Cat, Kate, Kingsley and YOU

April 10th, 2013

I could post my events on the actual Events page of this site. But I thought I’d switch it up. Keep you guessing. I’m not really supposed to have any events at all this year, because this is really a writing year for me and not an events year. But these were too good to pass up.

Tomorrow night —  Thursday, April 11 — I’ll be talking with Catherynne Valente at Community Bookstore in Brooklyn. This isn’t my event, it’s her event, but I get to be part of it, and bask in her reflected genius. Which is pretty serious genius.

On Sunday morning, April 14, I’ll be part of an event at the Downtown Literary Festival. The event is of a slightly mysterious nature, which even I do not really understand. Perhaps it will only fully be grasped by future generations.

Next: more basking. Kate Atkinson is speaking in Brooklyn on April 16, and I’m introducing her. Her new book is beyond brilliant. I’ll be stunned and indignant if it doesn’t win the Booker Prize.

I’ve basked, and basked—but is it enough? No. On April 29 I’ll be talking to my brother at Greenlight Bookstore about his new book You, which is also brilliant. Austin and I don’t do many events together, so it’s actually a pretty rare opportunity to see us talk books. We’re like John and Hank Green, except older and less popular!

Finally—and this may not have been announced yet, but I’m throwing caution to the winds here, and plus I can’t be bothered to do a separate post about it—there will be an event on May 6 at the Half King in Manhattan to celebrate the reissue of a couple of great Kingsley Amis novels. I’ll be saying a few words.

If we all drink enough, we can recreate the famous hangover scene from Lucky Jim.

The Thick of It

March 6th, 2013

I’m in the thick of it with The Magician’s Land.

The best description around of what it’s like to write a novel is Zadie Smith’s essay “That Crafty Feeling.” You can find bootleg copies of it on the Web, but if you want to read it you should really buy the book that it’s in.

Here’s a taste, from the section called “Middle-of-the-Novel Magical Thinking”:

By middle of the novel I mean whatever page you are on when you stop being part of your household and your family and your partner and children and food shopping and dog feeding and reading the post—I mean when there is nothing in the world except your book, and even as your wife tells you she’s sleeping with your brother her face is a gigantic semi-colon, her arms are parentheses and you are wondering whether rummage is a better verb than rifle. The middle of a novel is a state of mind. Strange things happen in it. Time collapses. You sit down to write at 9am, you blink, the evening news is on and 4,000 words are written, more words than you wrote in three long months, a year ago.

It’s hard to stop quoting, it’s all so true.

But that’s just one phase of writing a novel. A good phase. There are worse ones.

One of the weird things about novel-writing is how different it is from what you’d think writing a novel is like, based on the experience of reading novels. When I read a novel the overwhelming impression I get is of how easy it must have been. I mean, come on, people: it’s obvious what comes next. It’s obvious what she would say in that situation — what else could she possibly have said? Sheezus. When you’re reading, writing doesn’t feel like writing, it feels more like transcribing.

Whereas: when you’re actually doing it, when you’re writing and you’re in the thick of it, it’s totally different. It’s like taking a drug, a relatively harmless hallucinogen, say, and discovering that you’ve been burned on the deal, and it’s been cut with some violently psychoactive shit. You ricochet from divine arrogance to crippling depression, from inspired certainty to total disintegrated confusion to listless boredom. It’s not obvious what happens next; in fact at every given moment you’re violently confronted by an infinite number of possibilities for what could happen next.

And strangely, despite their being infinite in number, every single one of these possibilities is wrong. The right possibility sits outside that infinite set, glaringly obvious to other people, but somehow unfindable by you, the writer.

Fortunately you won’t remember any of this later. Afterwards, when you’ve got the finished book in your hands, all you’ll be able to think is: “My goodness I’m clever!”

That and, “Let’s do that again!”

O RLY

February 18th, 2013

I’m currently on leave from Time to work on The Magician’s Land. (I talked a little bit about what’s going on with that here, and I’m gradually working my way around to talking about it here.)

So that’s going well. But it bothers me that I haven’t been blogging. I love blogging. When I’m doing heavy novelizing I tend to blow it off, but in my more lucid moments I realize it’s an important part of what I do as an author.

And plus it’s fun. Though it makes me feel old that I don’t have a tumblr. Whatever the hell that is.

So I’m kicking off this week’s work (and my first day out of bed after four days of a brutal cold) with this minor but nevertheless real and actual blog post. The point of which — besides to congratulate myself for writing it — is to show off this letter ‘o.’

A few weeks ago I got wind of a charity auction to benefit the Book Industry Charitable Foundation: they were selling off the letters from the sign outside the original flagship Borders store in Ann Arbor. It was a good cause, and plus I have sentimental feelings about Borders: they backed The Magicians to the hilt, to the point where they even flew me up to Ann Arbor and took me to dinner. They have a lot to do with its success.

And I have sentimental feelings about bookstores. And signage. So I looked at the bidding, chose the cheapest letter, and put down my money.

Now look:

It makes me want to reconstruct the cover of one of my favorite books from childhood:

Random Fan Fiction Day! Plus: Events

October 23rd, 2012

Every day should be random fan fiction day! And in some cosmic sense, it is.

I’ve been working pretty consistently for the past month, to the point where I haven’t wanted to break the flow long enough to write a blog post. And I don’t even want to break it now. So I’m just throwing this up hastily.

First: I’ve got a couple of events coming up next week. On October 29th I’ll be appearing in conversation with the incredible Catherynne Valente, author of some of the greatest novels published this millennium, including The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making. That’s at Community Bookstore in Brooklyn. Then on October 30 I’ll be taking part in a humiliating public spelling bee along with a bunch of literary celebrities to benefit the Council of Literary Magazines and Presses.

Second: the fan fiction part. Return visitors to this blog may remember the last time I did this. This time the fandom in question is How to Train Your Dragon, a movie that my daughter Lily has devoted eight hours of her short life to watching four times. And maybe more, without my knowledge. Plus numberless viewings of that Christmas-themed short.

Hence this story. I know the series was originally a book, but Lily prefers the movie, so this is set in the movie-continuity (it’s significantly different). It deals with the early life of Toothless the Night Fury, before he met Hiccup.

I cannot stress enough that this is middle-grade stuff. If you cannot draw two intersecting circles on a piece of paper, and label one “8-year-olds” and the other “insane How to Train Your Dragon fans,” and place a dot in the intersection that represents you or someone you love, you will almost certainly have no interest in this story.

That said, here it is, in the universally beloved Microsoft Word format: “Toothless and the Missing Nightmare.”

Benedictus: Thoughts on Being a Writer and Having Children

September 15th, 2012

There’s a lot of reasons why I haven’t been blogging much lately, but here’s the most important one: my new son. His name is Benedict Christopher Lev Grossman.

This is him at about four hours old. Note in particular his hair. He was almost two weeks late, and I’m pretty sure he spent the extra time touching up his blond highlights.

His name is Benedict, but mostly we’re calling him Baz, which is the Australian way of shortening pretty much every name that starts with a B. (His mom’s Australian. If you’ve ever wondered about the slight but detectable pro-Australian bias in the Magicians books, there’s your answer.) He has also been addressed as Basil, Basil Brush, and Mr. Brush. I don’t think anybody has actually called him Benedict yet.

I’ve talked in the past about the general question of child-bearing, which is something I think about a lot, to the boredom and disgust of Younger Me who couldn’t have cared less about that stuff. Younger Me, if you’re reading this blog, bail now, dude.

Having kids is a practice regarded with fear and suspicion in my family. I now have three children– there’s also Lily, 8, and Halcyon, 2 — which makes me something of an outlier among Grossmen. Neither my sister (older) nor my brother (twin) have kids, and to be honest I never thought I would either. I thought having kids would get in the way of all that other important stuff I had going on, like, I don’t know, writing and drinking and traveling around.

And it does. A lot. Just for example: I was supposed to be at a conference in Zürich this weekend. I’m not. I had to cancel, because my family needed me here.

But there are other ways to look at it. One is that the business of making new people is actually really important too, because otherwise where would new people come from? I mean, there’s always more people, but what about new people who care about the same stuff I do? I think of children sort of like Voyager probes, except instead of sending them out into space you send them forward in time. They carry messages from your civilization inside them, on into the weirdness of the future. They keep going and going long after you’re gone.

There also this: I personally needed to have kids to become the person and the writer I wanted to be. This is not a universal thing; I’m not recommending having children as a writing tip. I think it only applies to people who even as adults are the emotional equivalent of frozen cavemen, and who need somebody to thaw them out and seriously kick the shit out of them, emotionally speaking, before they have any idea who they are or what they’re doing. I was one of those people. Having children did that for me.

I bitch and moan a lot about how I’m always changing diapers and giving baths and making school lunches and strapping and unstrapping little people into and out of car seats while I could be writing books. And it’s true: it’s insane how relentless and exhausting raising kids is. If anything it’s tougher than people make out. At this exact second there is a tiny person lying on the bed next to me making a noise like an air horn every time I take my finger out of his mouth to type. (Brief rant: modern American society sucks at child-rearing. Humans evolved to live in communities, with their extended families around them. Trying to raise kids as a twosome, alone in your locked house, with no family around and both parents working full-time, is ridiculously hard. We’re doing it wrong.)

But it’s also true that I never wrote a book I was proud of till I had children. I started The Magicians two months after Lily was born, and that’s not a coincidence. Before that happened I never wrote anything worth a damn. Maybe I would write more if I didn’t have kids, but I’m not at all convinced that anything I wrote would be worth reading.

 

August in the Midwest, New Year’s Eve in Havana

August 5th, 2012

I just completed a long car trip on a Sunday in August with two small children, which believe me is enough to convince you that Samuel Beckett was right about everything.

I’m blissfully home for I think two days, and then — I have to check my own Events page here — on Tuesday I’ve got a reading  at Boswell Books in Milwaukee, and on Wednesday I’m at The Book Stall in Winnetka.

I’m really happy about these events, because I don’t get sent to those parts of the country too often for some reason. Also I feel a funny kind of connection to the Midwest because even though I grew up in Massachusetts, my father’s family are all from Minnesota.

According to family legend — which was compiled by that one saintly individual in every family who takes charge of these things — an ancestor of mine, fresh off the boat from Ukraine, told a travel agent how much cash he had in his pocket, and the travel agent gave him tickets to the city that cost exactly that amount, which happened to be Minneapolis. Thus were begat several generations of really cold Jews.

I include, because it is excellent, a photo of two of my Minnesotan ancestors, ready to tear shit up circa 1918:

 

The caption appears to read: “the two wampires.” Sic? Though that would explain a lot.

The woman on the right was named Jennie Berman, and  she is said to have been a great beauty. She was the first wife of my grandfather Lou, who owned a successful car dealership. I, of course, am only distantly related to this great beauty, because I’m descended from Lou’s second wife, Beatrice (though Beatrice and Jennie were in fact first cousins, so I probably got like one good-looking base pair in there).

Here, because it is very weird, is a picture of Lou and Beatrice, on New Year’s Eve, 1937, sitting on a sled, in a road, in Havana:

I can’t explain any of this. But the point is: if you’re in Milwaukee or Winnetka, I want to hang out with you.

Then Thursday through Sunday I’ll be at LeakyCon. If you’re coming to LeakyCon already, you’re stuck with me, and it will be hard to avoid me, so there’s no point in my hectoring you. (Though I will say: of special interest is my conversation with John Green on Friday. Because John is interesting.) If you’re not coming to LeakyCon, but you’re around Chicago (and didn’t come to the Winnetka thing), and you’d like me to sign your book, there will be a signing that’s open to the public. Laini Taylor, Holly Black, Stephanie Perkins, Megan Whalen Turner, Dan Ehrenhaft, Robin Wasserman, and Maureen Johnson will also be signing there. It’s going to be mental.

I Am Two With Nature

July 24th, 2012

I’m in the country.

It’s amazing here. We got stressed out in Brooklyn, so we rented this old house a couple of hours outside New York City. Nothing fancy, but it has a pool, and when you sit on the front porch you can see about five miles of woods and meadows and exactly one other house.

It’s beautiful. It’s enough to make you feel like all of human civilization was a bad idea. Like, the trees got it right the first time.

Halcyon found a frog in the pool this morning, drunk on chlorine, and we rescued it and it hopped away. You should have seen her face: I don’t think Halcyon realized frogs were real — I think she had them grouped with hippogriffs in the mythical category.

Part of the time here I’ll spend working on a long piece for Time. But most of August will be consecrated to fiction. I’ve been frustrated lately, and to be honest kind of depressed, trying to make time for novels and do my job and promote my books and so on. I think the balance got a little out of whack. Time to whack it back into balance. So this is the next couple of weeks.

Then I’ll be doing the third and final leg of the Magician King paperback tour: a reading at Boswell Books in Milwaukee on August 7, then another reading in Winnetka, IL, on August 8, then Leakycon, which will include an on-stage conversation with one of my very favorite contemporary writers, John Green.

I’m sorry I haven’t been blogging here as much lately. Partly it’s the business/depression, partly it’s that my vital blogging fluids are being diverted to Time‘s entertainment blog, where I’ve been writing a weekly books column. In the past few weeks — for example — I did a piece on the hallucinatory effects of reading children’s books aloud that I think came out well, and one on reading and walking at the same time. You can tour my rare-and-not-so-rare book collection. And here’s my response to a New Yorker piece about literary fiction and genre fiction.

And so on. For tomorrow I’m doing a piece tentatively titled “On Hating Books.” The column’s a lot of work, but I’m enjoying it. Feel like I’m exploring my critical voice, that sort of thing. Saying things I don’t get to say in reviews

All right, back to work. By the way there’s no Wifi here, so I’m talking to the Internet through my phone, with images off. It’s like I’m back on an old Lynx browser. Hence no image to go with this post.

Picture a drunken frog.

Coming Up Next: July!

June 29th, 2012

OK! I’ve been home for a week and a half now. I’m starting to recognize my kids on sight instead of just snapping my fingers and pointing. Screw this. I’m going back on the road.

This time: Florida. I’m reading in Miami on July 11th, then I’m spending the rest of the week at Ascendio, the Harry Potter conference in Orlando.

This means that, for the first time in four years, I won’t be going to Comic-Con in San Diego this summer, because they’re the same weekend. Which was a tricky choice. But love it or hate it — I do both — bottom line, Comic-Con isn’t really about authors. It’s about directors, actors, screenwriters, comics artists, costume designers, animators, and people who design disposable novelty tote bags. After that, it’s about authors. As a novelist at Comic-Con you kind of have to fight for oxygen.

I needed a break from that. I mean, I knowingly signed on for it: fighting for oxygen is what novelists do. But sometimes it’s nice to go to a convention that’s about books first, where everybody is glad you’re there just because you’re a writer. Ascendio is such a conference, and I am stoked for it. (LeakyCon, which I’ll be at in August, is another such conference. So is Readercon, which unfortunately is the same weekend as Ascendio.)

As soon as I get back I’m on for a couple more events in New York City: a conversation with G. Willow Wilson on July 17, and a conversation with Erin Morgenstern on July 18th. Both of those evenings will be deeply awesome. As regular visitors to this blog know, I have a habit of getting onstage with people who are smarter than me. I’ll be happily continuing that grand tradition.

I have nothing else to add except that Metric’s Synthetica is, like, destroying me with its goodness right now.

A Middle-Grade Harry Potter Fan Fiction

June 21st, 2012

My daughter Lily is a big Harry Potter fan. She’s read through the entire series three times, and she’s only eight. Lately I’ve taken to writing short-short stories set in the Potterverse for her, as a way of preserving some slender channel of human contact with my offspring.

As an experiment in utter self-indulgence, I’m going to post one of the stories here, which I wrote when Lily asked me for something about Buckbeak. Buckbeak is a major figure in Lily’s imagination — I think in her mind he ranks somewhere around Ron and Hermione in terms of his importance as a character in the series. This is definitely not adult stuff, or even YA — Lily was 7 when I wrote it, so it’s a middle-grade joint, a level below the Harry Potter books.

But I’m happy with it. For reasons best left to psychoanalysis, I framed the story as what is known in the jargon as a hurt-comfort scenario, with Buckbeak being hurt, and my daughter — whom I recognize is not generally considered to be a “canonical” Harry Potter character — doing the comforting.

Probably there are massive canon-breaking errors in it too. I had to extrapolate a bit about what Buckbeak does in the off-season. What can I say: it’s fan fiction. Here it is (as a Word file): Buckbeak and the Three Potions.